TV Docs: Missing in Action? by Moze Mossanen Published on April 18, 2013February 21, 2022 Industry So, is the Canadian TV documentary doing OK? Of course, it may never be like it was before …but what is?
A Calm Revolution? by James Buffin Published on April 18, 2013February 21, 2022 Features The core message of Rob Stewart's Sharkwater follow-up, Revolution, is this: Humanity is at the crossroads.
TIFF Diary 2012 by James Buffin Published on April 18, 2013February 21, 2022 Features/TIFF Highlights from the 2012 Toronto International Film Festival include The Act of Killing, The Central Park Five, and Mea Maxima Culpa.
Christian Marclay: The Clock by Marc Glassman Blake Fitzpatrick Published on April 11, 2013February 27, 2022 Features In The Clock, Christian Marclay has offered 24 hours of fragmented time, a day’s worth of transformative moments.
Ed Barreveld’s annus miraculous by Greg Klymkiw Published on March 26, 2013March 12, 2022 Industry Ed Barreveld had a strong year with hits like The World Before Her and Herman's House, yet the state of broadcasting leaves him looking for work.
Policy Matters: A ray of (Star)light by Barri Cohen Published on March 26, 2013March 12, 2022 Industry Starlight: The Canadian Movie Channel, helmed by Norm Bolen and backed Robert Lantos, could really help Canadian creators and audiences.
Face to Face by Adam Nayman Published on March 26, 2013March 12, 2022 Features Paul Saltzman reflects on his films including The Last White Knight and Prom Night in Mississippi over cover at TIFF's Canteen.
Is documentary our national art? by Rudy Buttignol Published on March 21, 2013February 20, 2022 Features/Industry After a long career devoted to documentary, do I think that it is intrinsic to the Canadian way of life? Yes, I do.
The Open Hearts of the Red Queens by Barri Cohen Published on February 26, 2013February 5, 2022 Interviews An interview with Maya Gallus and Justine Pimlott on their work with Red Queen Productions with docs like Dish, Hot Rollers and Girl Inside.
Martin Duckworth: the man behind the camera by Maurie Alioff Published on November 20, 2012February 5, 2022 Features For director and cinematographer Martin Duckworth, cameras are instruments for finding beauty, no matter how ordinary what he films might be.