Issue 95 - Fall 2014
Sturla Gunnarsson’s Monsoon is a majestic new documentary shot on location in India and beneath torrents of relentless rain.
Tell me about yourself,” says an off-screen Alanis Obomsawin to Randy Horne, the subject of her short documentary Spudwrench: Kahnawake Man (1997). This type of inquiry is, of course, essential to any documentary practice—it’s the kind of curiosity that inspires
Read MoreSturla Gunnarsson's Monsoon is a majestic new documentary shot on location in India and beneath torrents of relentless rain.
Read MoreThe animated documentary The Wanted 18 is a microcosmic reflection of the Israeli-Palestinian conflict with its offbeat Claymation cows.
Read MoreNetflix deserves regulating, although it will argue that paying more for content will make it less profitable and therefore unable to compete.
Read MoreIf the CBC wants to remain relevant and "disrupt" the system, then it needs a model to rival Netflix and take Canadian content beyond bite-sized morsels.
Read MoreArt of the Real creates a festival space for filmmakers navigating the interplay between drama and documentary, fiction and non-fiction.
Read MoreAfter 20 years of struggling, learning, screwing up, laughing, fighting, winning, losing and waking up in the middle of the night with the cold sweat of fear, we’re still here.
Read MoreAn interview with Thom Anderson, critic, programmer, and filmmaker best known for his 2003 69-minute essay film, Los Angeles Plays Itself.
Read MoreReflections on the Golden Age of television arts programming in Canada, and the disappearance of these docs as broadcasting declined.
Read MoreA social documentary photo essay of residents in Vancouver's Downtown Eastside.
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