Reviews - Page 87

Giving you our points of view on the latest docs in release and on the circuit.

‘The Golden Girl’ Fights on Principle

The niggling question that The Golden Girl doesn’t quite answer, though, is why the officials should bother now. Răducan’s plight, valid as it is, comes 15 years after the events and the documentary arrives on the 20th anniversary of her disqualification. (The film was shot in 2015 and 2016.) Even some of the parties who are sympathetic to her cause state that the statute of limitations for arbitration was ten years and expired in 2010. Răducan doesn’t account for the delay in her fight and the film lacks a sense of urgency when the outcome feels inevitable. Her fight is one of

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‘Driven to Abstraction’ Is ‘Made You Look’ Without the Laughs

Driven to Abstraction (USA, 84 min.) Dir. Daria Price Not every painting needs to be the Mona Lisa to be admired, but two portraits of the same subject by different artists inevitably inspire unique responses. Such is the case with Driven to Abstraction, Daria Price’s documentary about the art forgery scandal at New York’s Knoedler gallery. The film recounts the same affair as Barry Avrich’s Hot Docs highlight Made You Look: A True Story About Fake Art. Both docs share the wild-but-true tale in which reputable art dealer Ann Freedman was bamboozled by a too-good-to-be-true stash of paintings by artists like Jackson

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‘Flannery’ Review: An odd life that mattered

lannery Dir. Elizabeth Coffman & Mark Bosco Featuring: Mary Steenburgen (narrator), Hilton Als, Sally Fitzgerald, Michael Fitzgerald, Robert Giroux, Mary Gordon, Alice McDermott, Alice Walker, Mary Karr, Tommy Lee Jones, Tobias Woolf Not too many people know who Flannery O’Connor is anymore but those who do embrace her as one of the finest American writers of the 20th century. O’Connor’s reputation stands on an impressive but severely limited body of work. Over the course of her short life—O’Connor died at the age of 39—she produced 32 stories and two novels, all in what was called the Southern Gothic style. That

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Fantasia Film Festival Review: ‘Morgana’

Morgana (Australia, 71 Min.) Dir. Isabel Peppard & Josie Hess The internet was set ablaze last month when Martha Stewart posted a photo of herself looking cute by the poolside. While many praised her “thirst trap” photo, the viral reaction it received said more about society than Stewart herself. It inadvertently exposed how little society views women of a certain age as sexual beings. However, there are those who are fighting to change this perception. In the surprisingly inspiring documentary Morgana, directors Isabel Peppard and Josie Hess remind viewers that it is never too late to embrace one’s own sexuality. In charting the

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The Original Music Festival Documentary

Jazz on a Summer’s Day (USA, 85 min; 1959) Dir. Bert Stern and Aram Avakian Featuring: Louis Armstrong, Mahalia Jackson, Anita O’Day, Thelonious Monk, Jack Teagarden, Chuck Berry, Dinah Washington, Chico Hamilton, Eric Dolphy, Sonny Stitt, Jimmy Giuffre, Gerry Mulligan, Big Maybelle Let’s dispense with the suspense, all you cats and kittens. Jazz on a Summer’s Day is not only the first documentary made about a music festival, it still stands up as one of the most beautifully made films ever made in this ever-popular genre. Bert Stern, whose exquisite photos of Marilyn Monroe taken for Vogue magazine in the months before her death

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‘Ai Weiwei: Yours Truly’ a Portrait of Political Prisoners

Ai Weiwei: Yours Truly (USA, 76 min.) Dir. Cheryl Haines, Co-dir. Gina Leibrecht Does any visual artist in the world right now have as big a profile as Ai Weiwei? The artist, filmmaker, activist, exile, and former “prisoner of conscience” draws international attention to human rights causes through diverse art forms. Having faced imprisonment and censorship in his native China for speaking out about its oppressive government, Ai knows the cost and value of free speech. His voice is one of the most essential and influential of this era as his art draws attention to urgent causes like the global migration

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‘Creem’ Doc Is an Ode to Arts Mags

Creem: America’s Only Rock n Roll Magazine (USA, 75 min.) Dir. Scott Crawford My goodness, do the offices of CREEM magazine ever look different from the creaky workspace of POV! This raucous doc from Scott Crawford whisks audiences back to the glory days of the now-defunct rock ‘n’ roll mag that inspired piss ‘n’ vinegar from music critics across the USA. The doc offers oodles of archival footage to give audiences a peek inside the dank and sketchy offices of CREEM. The liquor flowed freely while largely unqualified young folks slept on scuzzy couches, smoked reefers, hung out, and occasionally worked. Actually, the CREEM offices look a

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‘The Great Green Wall’ promises that a forest can grow in the desert

The Great Green Wall (UK, 92 min.) Dir. Jared P. Scott Imagine growing an 8000 kilometer wall of trees blocking off the sands of the Sahara from the rest of Africa. It’s beginning to happen now in the Sahel region, just below the Desert, with African nations participating from the Atlantic Ocean to the Red Sea. The area is one of the most threatened in the world, with soil degradation being the foremost concern along with a myriad of other problems including drought, scarce agricultural resources and desertification. When you add climate change to the mix, inevitably social and political

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Bloody Nose, Empty Pockets: A sad romantic story of the closing of a dive bar

Bloody Nose, Empty Pockets Bill Ross IV and Turner Ross, directors Featuring: Peter Elwell, Michael Martin, Shay Walker There’s something about the authenticity of a bar that provides a superb setting for a drama. A disparate group of American desert dwellers are drawn together by the casual downbeat atmosphere of a place called The Roaring Twenties in the Ross Brothers film Bloody Nose, Empty Pockets. The bar feels slightly tawdry with its tiny dance floor and worn out couches only adding to the emotional tenor of a darkening time. The Ross Brothers—Bill and Turner—play to our expectations that the denizens of

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