Polish filmmaker Michal Marczak’s All These Sleepless Nights, which picked up the World Cinema Documentary Award at Sundance 2016, has been getting mostly favourable attention for evaporating distinctions between documentary and fiction, its cinematic technique, and the experience the film offers.
Tadhg O’Sullivan’s The Great Wall provokes curiosity as a doc about the migrant crisis and the fortification European borders, based on a 1917 story by Franz Kafka
David Lynch: The Art Life and Shadows of Paradise offer different aspects of the man’s life beyond his filmmaking, but neither doc truly captures the inspiration for his art.
Havarie belongs within a broadly defined notion of the essay film genre, and also exhibits a true experimentalism, all while never compromising documentary integrity.