The Dependents and One Take Grace won the Grand Prizes for Best National Feature and Best International Feature at Montreal's RIDM.
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In J'ai placé ma mère, Denys Desjardins documents his mother's experience with the negligence to which Quebec's healthcare system subjects the elderly.
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Brutal and essential, Theo Montoya's hybrid documentary Anhell69 is the best kind of trangressive documentary filmmaking.
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Jumana Manna depicts the politics of extinction and occupation in this hybrid film about foragers and their fight to harvest wild herbs.
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Highlights from the 25th edition of RIDM include Jouvencelles/Bloom, Herbaria, Inner Lines, Way Out Ahead of Us, Chaylla.
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Canadian docs in competition at RIDM's 25th edition include J'ai placé ma mérè, Rojek, The Dependants, and Self-Portrait.
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Films coming to RIDM's 25th edition include Hot Docs winners Geographies of Solitude and Rojek and Sundance winner A House Made of Splinters.
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Dear Audrey delicately observes filmmaker Martin Duckworth and wife Audrey Schirmer.
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zo reken and Looking for Horses win the RIDM Grand Jury Prizes for national feature and international feature, respectively.
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In Animal Macula, old images take on new resonance and considerations through montage, transforming how we see more radically than merely engendering empathy.
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