Victory Day, Sergei Loznitsa’s new film, takes place in the present and serves as a sort of companion piece to Austerlitz.
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Watching powerful films and talking about sexual violence as a longstanding institutional problem, we can hope to reach a more forthright way to understand, and bring about change.
Keep ReadingOn a cold day in December 2016 in Toronto, I headed into the apartment of Mandi Gray, carrying a used camera from Craigslist, a tripod, a borrowed lavalier microphone and a Zoom
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Maya Gallus's The Heat asks why women so rarely enjoy prominent roles as chefs when they are traditionally masters of kitchens in the domestic sphere.
Keep Reading93Queen (USA, 85 minutes) Dir: Paula Eiselt Programme: World Showcase (World Premiere) Movies about underdogs fighting for their rightful place have built-in appeal. 93Queen expertly takes you into trials and tribulations,
Keep ReadingThe Guardians (Canada, 104 minutes) Dir: Billie Mintz Programme: Canadian Spectrum. (World Premiere) State-appointed guardianship in Nevada has become an issue in elder abuse. Numerous cases of guardianship have cropped up,
Keep ReadingKing Lear (Russia, 56 minutes) Dir: Denis Klebleev Programme: Artscapes. (International Premiere) Retired actor Viktor Rotin wants to play King Lear. At 86, he’s finally the right age, and he has
Keep ReadingTwo shorts at Hot Docs this year provided significant tales of performers mastering the art of self-representation. Director Chrisann Hessing’s Turning Tables is a handsome profile of Anishinaabe DJ/techno artist Classic Roots
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Gurrumul, the late blind singer of the Yolngu Indigenous tribe was one of the most influential voices in contemporary Australian music. His legacy is the subject of the documentary Gurrumul, directed by
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Hot Docs’ worthy recipient of the 2018 Don Haig Award, Ina Fichman, discusses her new films Laila at the Bridge and The Oslo Diaries and a prolific career in documentary.
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