The Edge of Democracy (Brazil, 112 min.) Dir. Petra Costa Programme: Special Presentations (Canadian Premiere) Petra Costa’s political documentary The Edge of Democracy is like none other, a work both intimate and grand in
Keep ReadingWhat did you apply to your hair, skin, or teeth today? Do you ever consider why you use personal care products or cosmetics? Or do you look at the labels to see
Keep ReadingIs there any hope left for the American dream? The prospects for the land of the free look pretty dire in the outstanding American Factory. The doc offers an immersive and penetrating
Keep ReadingChris Flanagan’s Shella Record – A Reggae Mystery is an ode to obsession, tracing one man’s desire to uncover the identity of a mystery singer he first heard on a thrift-store audio
Keep ReadingRiver Silence (Canada, 90 min.) Dir. Rogério Soares Programme: Canadian Spectrum (World Premiere) The New York Times film critic Manohla Dargis is an expert on “miserablism.” She has a keen eye for spotting this
Keep ReadingAlways in Season (USA, 88 min.) Dir. Jacqueline Olive Programme: Special Presentations (International Premiere) Director Jacqueline Olive asks if lynching still exists in the USA in her provocative documentary Always in Season, but the film
Keep ReadingBecause We Are Girls (Canada, 85 min.) Dir.: Baljit Sangra Programme: Persister (World Premiere) Because We Are Girls begins with three adult sisters, and a secret. Though we know something has happened to
Keep ReadingBehind the Shutters (Belgium, 50 minutes) Dir.: Messaline Raverdy Programme: World Showcase At the start of her pregnancy, director Messaline Raverdy moves into her grandmother’s house. While there, she speaks to the
Keep ReadingBorn in Evin (Germany/Austria, 98 min.) Dir. Maryam Zaree Programme: Persister (International Premiere) Maryam Zaree opens her extraordinary film by narrating a Talmudic story that immediately bonds you to her and sets
Keep ReadingRed Moon (Belgium, 95 min.) Dir. Tülin Özdemir Programme: Persister (World Premiere) Beautifully, intimately and with great compassion, director Tülin Özdemir turns her lens towards the women of her family, specifically her
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