It is perhaps impossible to assess the impact of the body of work created by Canada’s National Film Board (NFB; ONF en français) on our national culture—or, indeed, on international cinematic culture.
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Millefiore “Millie” Clarkes and Anne Pick are the winners of this year’s DOC Institute Honours. The filmmakers received the BMO-DOC Vanguard Award and the Rogers-DOC Luminary Award, respectively.
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DOC NYC artistic director Thom Powers discusses the festival's growth to become one of the world's premiere documentary festivals in merely ten years thanks to its tight curation, industry elements, and coveted
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The 2019 TIFF Doc Conference featured a number of Canadian and international leaders in the field, including Barbara Kopple, Yung Chang, and Alan Berliner in conversation about the art and business of
Keep ReadingOnsite at BAM (Bogotá Audiovisual Market) 2019, it’s clear that extensive investment in changing the country’s story culturally and economically through benefits and business opportunities is certainly stimulating the film and television
Keep ReadingIn fifteen years Colombia has built a thriving film and television industry, making it and Bogotá in particular, the new hot spot in the Americas for filmmaking. 27 foreign-directed films were shot
Keep ReadingMidwives, co-produced by EyeSteelFilm, wins the first look pitch prize at the Hot Docs Forum.
Keep ReadingFor 50 years, the National Film Board of Canada’s logo was a familiar sight when you were near their building on Côte-de-Liesse Road in Ville St. Laurent.
Keep ReadingDOK Leipzig’s history of presenting hybrid, interactive, immersive, VR, and AR works and worlds has come a long way from setting up a handful of web-based and experimental projects in an igloo
Keep ReadingThe DOC Institute Honours recognized Amar Wala with the BMO-DOC Vanguard Award, sponsored and presented by BMO Bank of Montreal, and cinematographer Zoe Dirse with the Rogers-DOC Luminary Award, sponsored and presented
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